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Question & Answer Session Follows |
Robert Franzblau, Conductor
Where: Sapinsley Hall in the John Nazarian Center for the Performing Arts
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General Seating $7 For the RIC Wind Ensemble's first concert of the 2008-09 season, the rather curious title "Black and Blue" refers to the clarinet (black) paired with jazz and rock styles (blue) in some of most mind-bending sounds in the wind band repertoire. Ian Greitzer, assistant professor of clarinet, will be featured on composer Scott McAllister's Black Dog, a work inspired by the hard rock song of the same name by Led Zeppelin. Frank Ticheli's Blue Shades, a "colorful" work blending jazz and classical styles, will also be featured. Jason Thomson '03, a clarinet performance graduate of RIC, will also appear as soloist on this concert. |
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General Seating $7 The CSO's first concert of the year will feature faculty member John Sumerlin in Prokofiev's ever-popular Violin Concerto No. 2, in G Minor. Professor Sumerlin teaches violin and coaches chamber music at the College where he also conducts the Chamber Orchestra. He is a founding member of Trio Rhode, the faculty trio. Featured as well is Beethoven's 7th Symphony in A Major, referred to by Richard Wagner as "the apotheosis of the dance." The concert will open with Philip Glass's Company. Edward Markward conducts. |
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Celebrated novelist Edmund White reads from his work. |
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Sponsored by Department of Music, Theatre and Dance |
| Sponsored by Department of Music, Theatre and Dance |
Wednesday Chamber Music Series
Where: Sapinsley Hall in the John Nazarian Center for the Performing Arts| Question & Answer Session Follows |
| General Admission $10 |
| Sponsored by Department of Music, Theatre and Dance |
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Wednesday Chamber Music Series Question & Answer Session Follows |
| Wednesday Chamber Music Series Question & Answer Session Follows |
Rob Franzblau, Conductor
Where: Sapinsley Hall in the John Nazarian Center for the Performing Arts
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General Admission $7 "Cantabile" is a musical term meaning literally "in a singing style," and the concert on December 5th bears that title with good reason. The RIC Wind Ensemble with guest Frederic Scheff will perform music for wind ensemble and vocal solo written by Leonard Bernstein, and Gustav Mahler. Also featured on the concert will be three works for wind ensemble inspired by vocal music: Thomas Duffy's Gnomon, Fisher Tull's Sketches on a Tudor Psalm, and Ralph Vaughan Williams' celebrated Folk Song Suite. |
| General Admission $7 The CSO will feature Joseph D. Foley, Assoc. Professor of Music, as soloist in Alexander Aratunian's splashy Trumpet Concerto. Mr. Foley is principal trumpet of the RI Philharmonic and a frequent performer with the Boston Symphony, Boston Pops Orchestra and New York Philharmonic, as well as teaching trumpet and related subjects at the College. Leonard Bernstein's Jeremiah Symphony (No.1) will also be performed and feature RIC faculty member Georgette Hutchins as mezzo-soprano soloist. Mahler's touching "Adagietto" from the Fifth Symphony opens the program. Edward Markward conducts. |
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Question & Answer Session Follows Wednesday Chamber Music Series |
Teresa Coffman, Conductor
Where: Sapinsley Hall in the John Nazarian Center for the Performing Arts
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General Admission $4 This winter choral concert will feature the four RIC choral ensembles in performances of works by important composers throughout western music history, holiday favorites, as well as non-traditional and lesser-known composers and pieces. Featured composers include Felix Mendelssohn, Václav Nelhýbel, J. S. Bach, among others. The RIC Chorus, Chamber Singers and Women's Chorus are conducted by Teresa Coffman and the RIC Men's Chorus is led by Tianxu Zhou. |
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The Wednesday One O’clock Chamber Music Series will a present a season of exciting entertainment. Celebrity Series: Judith Lynn Stillman and Friends will begin Feb. 4 with a concert featuring Stillman, the College’s artist-in-residence on piano, and Evan Premo, a double bassist who plays folk and classic music. |
Robert Franzblau, Conductor
Where: Sapinsley Hall in the Nazarian Center| On Feb. 27, the RIC Wind Ensemble will present Neo-Classics, music of the early-to-mid 20th century that favored emotional restraint, balance and traditional forms. Robert Franzblau will conduct the ensemble in a concert that will feature Toch’s Spiel for wind band, Persichetii’s Symphony No. 6 for band and Mozart’s Serenade in B-Flat for winds. The winner of the annual Senior Concerto Competition will also perform. General Admission $7 |
John Sumerlin, Conductor
Where: Sapinsley Hall in the Nazarian Center
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The Cassatt String Quartet will join Judith Stillman on March 4. This acclaimed quartet has played together for 22 years, and tours throughout North America, Europe and the Far East. |
Teresa Coffman, Conductor
Tianxu Zhou, Conductor
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This Spring concert will feature the RIC Choral Chamber Ensembles, RIC Chamber Singers, Women's Chorus, and Men's Chorus, as well as graduating senior music majors in an evening celebrating spring. |
Edward Markward, Conductor
Where: Sapinsley Hall in the Nazarian Center
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On March 16, the RIC Symphony Orchestra's 14th Annual Samuel and Esther Chester Performance Award Concert will feature violinist Peter Zazovsky from the Muir String Quartet and RIC’s Judith Lynn Stillman. The concert will be the statewide premiere of the late Rhode Island composer Paul Nelson’s Sinfonietta marking the 80th anniversary of his birth. The orchestra will also perform Mendelssohn’s Concerto for Violin, Piano and Orchestra and Tchaikovsky’s Symphony No. 5. Edward Markward will conduct. |
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| On April 2, the 7th annual Deborah Griffi n Memorial Faculty Recital will showcase faculty members of the College’s Department of Music, Theatre, and Dance. Donations will help provide scholarships to outstanding music majors through the Deborah Griffi n Scholarship Fund |
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In the final concert of the series, clarinetist Richard Stoltzman and Stillman will collaborate on April 15. The duo will highlight Stoltzman’s impeccable musicianship as a soloist and chamber music performer. |
John Sumerlin, Conductor
Where: Sapinsley Hall in the Nazarian CenterRobert Franzblau, Conductor
Where: Auditorium in Roberts Hall
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The RIC Wind Ensemble on April 24 will perform California Dreamin’, a concert highlighted by Tony Clements, a Bay Area tuba soloist, in Broughton’s Tuba Concerto. Also on the program is the world premiere of a piece for wind band by Alan Shockley, and a performance of Paul Hart’s Cartoon, celebrating the creativity of Saturday morning cartoon scores. |
Edward Markward and Teresa Coffman, Conductors
Where: Auditorium in Roberts Hall
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The Symphony Orchestra will be joined by the College Chorus and Rhode Island Children’s Chorus in the 30th Annual Bicho Family Scholarship Concert on April 27. This Concert for Peace will include guests soprano Kara Lund, tenor Fredric Scheff and baritone Tianxu Zhou. The program includes Strauss’s Tod und Verklärung, Schubert’s Mass in G Major and the Rhode Island premiere of John Adams’ On the Transmigration of Souls, which commemorates the victims of Sept. 11. Edward Markward and Teresa Coffman will conduct. |
Teresa Coffman & Tianxu Zhou, Conductors
Where: Sapinsley Hall in the Nazarian Center| The Bon Voyage Choral Concert on May 1 will "send off" graduating music students. Performances by the RIC Chorus, Chamber Singers, Women's Chorus and Men’s Chorus will celebrate the students' achievements and bid them farewell. |
Joseph Foley, Conductor
Where: Sapinsley Hall inthe Nazarian Center
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On May 4, the RIC Concert Jazz Band will join with saxophonist Bob Mintzer to offer a jazz clinic, open rehearsal and concert, led by Joseph Foley. |
Joseph Foley, Conductor
Where: Sapinsley Hall in the Nazarian Center
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Susan Rodgers and Edward Markward, Co-Directors
Where: Sapinsley Hall in the Nazarian Center| On May 10, students from the RIC Opera Workshop will perform scenes from Candide, the one-act opera The Old Maid and the Thief and other productions. Edward Markward and Susan Rodgers will co-direct the performance, with Christina Breindel on piano. |
* = Free Admission
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Mainstage Theatre BrochureJamie Taylor, director
Department of Music, Theatre, and Dance
Rhode Island College Theatre Organization
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General Admission: $15 Winner of the 1991 Pulitzer Prize for Drama and Best Play: 1991 Tony Awards By America's great comic playwright, this memory play is set in a Yonkers in 1942 features another battling odd couple, this time an old woman and her 35 year old daughter. Bella, the daughter, is a retarded, affectionate and more than enough for Grandma Kurnitz to manage. As the play opens, son Eddie deposits his two young sons on the old lady's doorstep. He is in debt and needs to go on an extended sales trip to make some money. The boys must contend with Grandma, a stern, tough old lady; with Bella and her secret romance, and with Louie, her brother, who may have mob connections. Gradually, the mood deepens and darkens as the boys endure life with a family of emotionally crippled people. While the children are only temporarily exiled in Yonkers, the rest of their sad, funny family is truly lost. "The best play Simon ever wrote." N.Y. Post. "Broadway desperately needs a comedy, a drama, and a hit. With Lost in Yonkers, Mr. Simon has given us all three." Wall Street Journal. "One of Simon's most impressive and funniest plays." N.Y. Daily News. "Laughter and tears have come together in a new emotional truth. There are moments in this play when you experience a new kind of laughter for Simon, a silent laughter that doesn't explode into a "yuk" but implodes straight into your heart." Newsweek. |
Nehassaiu deGannes, director
Department of Music, Theatre, and Dance
Rhode Island College Theatre Organization
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General Admission: $15 Anna in the Tropics portrays the lives of cigar factory workers in Ybor City, Tampa, Florida, when a new lector, perhaps the last to ply his trade, is hired. The men and women remain divided in their loyalties as economic hardship and the pressure to abandon old traditions force the owners of the cigar factory to adopt new, progressive manufacturing methods if they wish to stay in business. As the lector reads from Anna Karenina, a novel of adultery set in nineteenth-century Russia, he casts a spell over the workers, transforming their passions and desires through the affirming power of art. That the love they seek may result in a tragic end is ordained as much by the story of the Russian noblewoman as it is by the actions of the workers themselves. |
Directed by Naum Panovski
Department of Music, Theatre, and Dance
Rhode Island College Theatre Organization
| General Admission: $15 Anton Chekhov's Chayka or The Seagull (variously translated in English as The Sea Gull and The Sea-Gull) is the first play in the author's second period of writing for the theater-that of the last few years of his life-in which he penned his widely acknowledged dramatic masterpieces. With it, after a hiatus of seven years, Chekhov again returned to writing plays, and he revealed his mastery of techniques that he would exploit in his other great plays of that final period: Uncle Vanya, Three Sisters, and The Cherry Orchard. In all of them, Chekhov employs a method of "indirect action," one in which characters confront changes that result from offstage occurrences, often in a period of the characters' lives that elapses between acts. The plays also share the unique Chekhovian mood, a pervasive melancholic tone that arises from the haplessness of the characters that seem destined either to wallow in self-pity or indifference or consume themselves in frustrated passion. In The Seagull, a work that the author himself claimed contained "five tons of love," is a play about a very human tendency to reject love that is freely given and seek it where it is withheld. Many of its characters are caught in a destructive, triangular relationship that evokes both pathos and humor. What the characters cannot successfully parry is the destructive force of time, the passage of which robs some, like Madame Arkadina, of beauty, and others, like her son Konstantine, of hope. |
Directed by Bill Wilson
Department of Music, Theatre, and Dance
Rhode Island College Theatre Organization
| General Admission: $20 When Hair moved to Broadway after 144 Off-Broadway performances at Joseph
Papp's Public Theatre, it played for 1,750 performances on Broadway at the
Biltmore Theatre starring James Rado, Gerome Ragni, Lynn Kellogg, and Sally
Eaton. |
![]() Photo by: Marla Fodor |
Gus Solomons, jr. will in residence at Rhode Island College from August 23-29
instructing master classes and creating an original piece of work on the RIC
Dance Company.
Gus Solomons, jr created the title role in Donald Byrd's The Harlem Nutcracker (1996-99); directs PARADIGM, a repertory dance company for veteran performers; is an Arts Professor at NYU/Tisch School of the Arts; writes about dance for Dance Magazine, Gay City News, DanceInsider.com, Metro Daily; has an Architecture degree from M.I.T.; danced in companies of Pearl Lang, Donald McKayle, Martha Graham, and Merce Cunningham, et al. In 2000, Solomons won a Bessie (New York Dance and Performance Award) for Sustained Achievement in Choreography; in 2001, he was awarded the first annual Robert A. Muh Award from M.I.T. as a distinguished artist alumnus; in 2004, he was awarded the Balasaraswati/Joy Anne Dewey Beineke Chair for Distinguished Teaching at the American Dance Festival, and in 2006-7, he was a Phi Beta Kappa Visiting Scholar, lecturing at several U.S. universities. Solomons extensive resume further includes solo performances in the companies of Donald McKayle, Joyce Trisler, Pearl Lang, Martha Graham, and Merce Cunningham, among others, and training in Laban technique with Jan Veen at the Boston Conservatory of Music and Graham technique with Robert Cohan. Influenced by his background study of architecture at MIT, Solomons describes his approach to creating choreography as "melted architecture." Admission: $8.00 per class |
![]() Photo by: Nikki Carrara |
Rhode Island school children will be treated to the RIC Dance Company's Annual
Mini-Concert Series in morning concerts October 22-24 in Sapinsley Hall in the
Nazarian Center. Repertory selections will include works by Gus Solomons, jr.
(NYC), Eva Marie Pacheco (RI), and Andrea Woods (NYC), Michael Bolger (RI), and
Katie McNamara (RI). Offered free to all school children in Rhode Island and
nearby Massachusetts since the 1960s, these concerts provide young audiences
with an informative and enjoyable introduction to contemporary dance forms.
Lastly, Rhode Island community dancers are invited to participate in open Dance
Company classes with visiting choreographers in August and September.
Admission: Free to Local Schools |
Eva Marie has been the owner and Director of Providence Ballet for the past 13
years as well as its satellite school Providence Ballet @ Aim High Academy in
East Greenwich RI; she joined the dance faculty at RI College in 2004, and Brown
University the spring of 2008. She is also the Artistic Director of the
Providence Youth Ballet which made its Performance debut at the Greenwich Odeum
in the spring of 2004. Currently performing with the Island Moving Company of
Newport RI; A RI native she was a founding member of Festival Ballet under the
Direction of Christine Hennesey and Winthrop Cory. She toured with the Everett
Dance Theatre in 'The Science Project', and 'Body of Work'. When not working
with IMC, she can be found working with Colleen Cavanaugh, of Providence, RI and
carolsomers DANCE of Boston, MA. As a choreographer, she has created several
works for Festival Ballet, including 'Los Caminos' and 'In the Mood', for IMC,
most recently 'Je Ne Regrette Rein'. Eva Marie's first full-length Ballet 'Twas
the Night before Christmas,' premiered in December 1995 with IMC. In the winter
of 2002 she was instrumental in mounting "A Newport Nutcracker" at Rosecliff for
the IMC. Visit the Providence Ballet website for more information.
General Admission: $14 |
![]() Photo by: Tom Caravaglia |
PARADIGM is the performance ensemble founded by Carmen deLavallade, Gus Solomons
jr, and Dudley Williams, and now includes Hope Clarke, Valda Setterfield, Keith
Sabado and Michael Blake. Together they have created an exciting new performance
ensemble that vividly illustrates the eloquence that years of experience bring
to dance expression. These seasoned performers infuse each movement phrase and
gesture with emotional resonance and intense focus that continues the modern
dance traditions.
PARADIGM's long-term goals are to promote and celebrate the talents of mature artists on stage, illustrating the eloquence that years of experience bring to the stage, as well as create a dance repertory specifically for seasoned mature, professional dancers. This repertory is being commissioned from a number of choreographers of different ages and styles. Of special interest to the ensemble is to work with young and emerging choreographers. By doing this PARADIGM works to challenge these artists to explore movement in different ways, as well as search for and utilize performance qualities that each dancer may bring to the creative process. PARADIGM started in 1996 with the trio A Thin Frost. PARADIGM has since performed in numerous venues in New York, Massachusetts, Texas, Virginia, California and Canada to critical and audience acclaim. Performances have included: Symphony Space, Cooper Union, Aaron Davis Hall, Hudson Theatre, Vancouver International Dance Festival, Summer Stages, New York City Center's Fall for Dance Festival, Jacob's Pillow Dance Festival, and the Kennedy Center for the Performing Arts. Admission: $14Admission Discounts for Groups, Senior and Students |
Photo: Nikki Carrara |
The RIC Dance Company steps into the spring season on Feb. 26 with its 50th anniversary performance, Reflecting the Past, Illuminating the Future. Everyone is invited to celebrate as the company recognizes five decades of dance with an evening of history, food, drink and...DANCE!
This event is by invitation only and the cost of the ticket is $50. For information or if you would like to be invited, please contact Angelica Cardente-Vessella 456-9791 Acardente1@ric.edu. |
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The 50th annual Spring Concert Series from Feb. 27–March 1, will feature the RIC Dance Company performing works by guest, local, alumni and faculty artists. The company will perform dance pieces by Gus Solomons jr, a New York City-based choreographer; Liam Clancy '95, a San Diego-based choreographer; Eva Marie Pacheco, a dance faculty member at RIC and artistic director of Providence Ballet Theatre; Olase Freeman, assistant professor of dance at RIC; and Angelica Vessella '97, M '07, assistant professor of dance at RIC and artistic director of the Vessella Dance/Theatre Project.
General Admission: $14 |
Photo: Nikki Carrara |
The Faculty/Alumni Concert on March 26 and 27 will showcase the works of Liam Clancy and Olase Freeman, newly appointed RIC assistant professor of dance and
co-artistic director of Bald Soul.
Clancy describes his work as a hybrid performance style that incorporates improvisation and experimental dance with the theatrical and humorous components of vaudeville and circus. The San Diego Union-Tribune noted that Clancy's work "mixes laugh-out-loud comedy, storytelling and sophisticated choreography." Clancy, who teaches at the University of California, San Diego, is a former Elizabeth Streb company dancer. General Admission: $14 |
Photo: Nikki Carrara |
On April 23 and 24, RIC dance students will present new works after an exciting year of taking classes, experiencing guest residencies and honing their craft as young choreographers. The Student Choreography Showcase will put the spotlight on pieces that are the result of coursework and independent projects completed throughout the academic year. This showcase provides advanced students with an ideal venue for their work and is sure to provide an evening of quality entertainment for the audience.
General Admission: $10 |
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